Docker is a orchestration layer on top of Linux containers. It creates a lightweight work environment like BSD jails, Solaris zones. You need to install set of packages in your ubuntu OS:
- Gitbar 1 2 – Remind You Of Uncommitted Repository List
- Gitbar 1 2 – Remind You Of Uncommitted Repository Download
- Gitbar 1 2 – Remind You Of Uncommitted Repository Full
- Gitbar 1 2 – Remind You Of Uncommitted Repository
1. Create docker images from docker file
docker build -t image1 . ( Docker file is located at ./)
2. List out docker images
docker images
3. changes to images and committing changes
A minimalistic pitch tuning app for Guitar, Bass and Ukulele. Com-Phone Story Maker. Hourly Reminder Remind you about hours passed. Cryptocam - On-the-fly encrypted recording Record encrypted video using OpenPGP. Lets you watch the weather for cities and locations you are interested in. Pods Companion For AirPods View the. Repository – A set of branches related to project. (git clone repository link) Remote tracking branch – Remote-tracking branches are references to the state of remote branches. They're local references that you can't move; they're moved automatically for you whenever you do any network communication. If all you meant to say was that you pointed out 4 lapsed flickr IDs that you suspect were shut down due to copyright violations - that is a whole different kettle of fish. If that is all you meant: (1) please say so; (2) please either name them here, or point us to where you named them before.
docker run -i -t –name guest image1:latest /bin/bash
apt-get install vim
docker stop guest
docker commit -m 'message' -a 'author' image1:latest
docker rm guest
docker run -i -t –name guest image1:latest /bin/bash
check if installed vim is installed.
dpkg –get-selections |grep vim
3. Update existing image
docker pull mysql
docker stop my-mysql-container
docker rm my-mysql-container
docker run –name=my-mysql-container –restart=always
-e MYSQL_ROOT_PASSWORD=mypwd -v /my/data/dir:/var/lib/mysql -d mysql
your data should have been stored on -v volumes.
4. List containers
docker ps -a
5. Stop container
docker stop guest
6. start container
docker start guest
7. Aattach a running container, you exited from the session, but container still running
docker attach guest
8. Remove a container
docker rm guest
9. Reomve docker images
docker rmi $(docker images -f 'dangling=true' -q)
In general, egnieers use a script to start a container and share the directories from the host machine. Ex:-
rundocker.sh
#!/bin/sh
mkdir -p $HOME/$1-shared
docker run –rm -t -i –name $1 -v $HOME/.gitconfig:/root/.gitconfig -e SSH_AUTH_SOCK=$SSH_AUTH_SOCK -e DISPLAY=$DISPLAY -v /tmp/.X11-unix:/tmp/.X11-unix:rw –privileged –net=host -v $HOME/.Xauthority:/root/.Xauthority -v $HOME/$1-shared:/root/shared image1:latest /bin/bash
option description:
–rm : remove container when it exit.
–name : name of the container
-i : keep STDIN even container is not attached.
-t : allocate a psudo TTY.
-v : directory mapping from host to container (sharing of host directories)
Please note this is an archived topic, so it is locked and unable to be replied to. You may, however, start a new topic and refer to this topic with a link: http://www.banjohangout.org/archive/133827/2 Page: 1 2 pipefitter61 - Posted - 12/11/2008: 22:35:14 If I could just find a snake mean enough to bite Beverly Hatfield! (sigh) daz - Posted - 12/11/2008: 22:35:18 Banjoman wrote: quote:Daz..My dingo was a sweetheart..to me! LOL ok, fess up, who has hacked into Hugh's account Daz The earth can provide for all mans needs, But not for all his greeds Banjoman - Posted - 12/11/2008: 22:38:17 Back in the 60s a group of zoology students had come the conclusion that gibbons were left-handed. It seemed that they held on to the tree branch with their right hand and reached for food with their left hand. Edited by - Banjoman on 12/11/2008 22:41:09 pipefitter61 - Posted - 12/11/2008: 22:42:51 Hugh, I don't even remember the 60's..Well, most of them..LOL Grum - Posted - 12/12/2008: 00:11:31 On the video of Tommy Jarrell that Pernickertylad posted he says the purpose of the rattle is to break out the spider's webs that appear in there. That seems to be a practical idea. The rattle's probably got enough mass to sweep out the cobwebs but wont 'rattle' wen the instrument's played. phischer - Posted - 12/12/2008: 00:55:33 Did prewar instruments sound prewar when they were still prewar? Or was it postwar that they started to sound prewar? What if you put this device on a prewar banjo would it become double prewar? And Tommy Jarrell was a crazy old dude - if he wanted to keep spider webs out of his fiddle he should have kept it in a case. Only the old timers would have had cobwebs in there instruments.. Edited by - phischer on 12/12/2008 00:56:00 Brett - Posted - 12/12/2008: 06:31:25 I do believe vibrations play a big part, as I have seen that myself. I bought a MINT 1953 D-28 once from an old man who never learned to play (sure wish I'd kept it). This was about 1986 or so. It had just sat in the case all those years. It sounded like a green gourd. A plywood harmony would have sounded about as good, but I started beating it in with mediums playing hardcore bluegrass alot and within a couple months, it was killer and only got better. I believe our buddy Arthur has a special box made w/speakers mounted to crank music through some of his works of art. TrailerParkPickin - Posted - 12/12/2008: 12:12:12 quote:Originally posted by Brett I believe some, or all of this, is directed at what I said, so allow me to clear things up. I am very gracious to private land owners who are allowing me to do research on their land. I got a lot of 'no's' before I got any 'yes's.' If I had land of my own, I would be very picky about who I allowed on it as well. What I was complaining about is having to bite my tongue and say nothing when a land owner tells me something that is completely ridiculous or wrong for fear of offending them. However, I don't want it to sound like all the landowners are idiots. Many of them are very intelligent and have helped me a great deal. .............................. I drink the Gold Star Kool-aid. PICKINGIT - Posted - 12/12/2008: 12:49:15 Here Ed..I think you might need your tools back. PICKINGIT - Posted - 12/12/2008: 13:00:39 Well I ain't gonna tell yall why I thought those folks had them rattlers in their fiddles cause I was wrong all the way around Edited by - PICKINGIT on 02/09/2009 11:56:24 Arthur Hatfield - Posted - 12/12/2008: 14:36:32 I know for a fact that laying a speaker on the banjo head and putting it in a box and playing the radio as loud as it will go for a few days does improve the sound of a new banjo a lot if you dont have time to play it which I dont before I ship a new one out and impronves it a lot just like playing it and would do the same for a 3 or 4 year old banjo that hadnt ever been played any or for one who had stayed under the bed for a year or two. But would it make it or a new one sound like a pre war. NO never has for me. There are great sounding new banjos today but do they sound like pre wars with modern day good tone rings on them. Not that I have found, there is absolutely no substitute for 70- 80 year old wood. I have good new banjos here and I have pre war pots with modern day rings on them. Both good but do they sound alike no and anyone who wants to try and see for themselves are welcome to come to my shop for a visit or to my room at SPBGMA it is open to the public. daz - Posted - 12/12/2008: 14:50:11 Arthur can you be sure to direct Beverly's attention to the bottom of page 2 please Arthur Hatfield - Posted - 12/12/2008: 19:45:19 Daz I will do that havent even read that part myself I looke at just a little of this on page 1 and no more until page 3. Bastertone - Posted - 12/13/2008: 06:27:07 Interesting, while looking through my Great aunts apartment many years ago (after she died) I kept finding snake skins in all the chest of drawers. One in each. Possibly to keep the mice out? infamyseemsshort - Posted - 12/13/2008: 07:07:13 I think I heard the rattle was used to keep spiders from building webs inside of the fiddle when they use to just hang them on the wall and not use a case. I believe it was Tommy Jarrel that said it. Just throw it in the case and you're all good. banjerman - Posted - 12/13/2008: 07:10:58 [quote]Originally posted by banjodr infamyseemsshort - Posted - 12/13/2008: 07:12:10 I wouldn't have even posted ^ that if i would have just gone to through all the pages. Navicat premium 15 0 3. Well oh well somebody always beats me to the punch!!! gottasmilealot - Posted - 12/13/2008: 09:46:56 We're way off topic. Here's the original post: quote:A group of engineers created a device that stays in your instrument case that sends out a constant frequency that causes a new banjo's wood to age like a pre-war. This was based on all the research that has been done on what makes an old instrument deliver the tone it does. Anyone interested, let me know. My email is gregchapman41@hotmail.com. Keith Arnold H. Glasow - 'Success is simple. Do what's right, the right way, at the right time.' Banjo Hangout Rules and Guidelines. Sheldon - Posted - 12/13/2008: 13:02:26 If my memory serves I read a thread on Flatpick-L some time back about using a hand -held massager of some sort on a new guitar. phischer - Posted - 12/13/2008: 17:21:50 Oh no another banjo hangout topic hijacked! I think we should just shut down the banjo hangout.. tanglefingers - Posted - 12/13/2008: 18:39:40 |
Warning extreeeeemly long winded but relatively 'on topic' post!! i just had to remove pics of my Yairi , i MAXED OUT lol
quote:Tanglefingers, I have two Sada yairis from 1974 a six and a twelve D28 copies and they are the best sounding guitars anywhere. I know the six came that way because I bought it new. It was the best sounding guitar in a store filled with martins and gibsons. I didn't know they put them in a chamber. Where did you get your info regarding yairi?
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well.. it took me a long time and a lot of banging around on forums and stuff to find out what i know, there is very little known about this family in thier early days other than their legacy of brilliant guitars.
I pulled my Yari from a skip! it was the strip of marquetry on the bridge that caught my eye. then the 'hand made in Japan sticker' convinced me to drag it home in spite of its glaring injurys.iIt was partly the repaired damage that convinced me that it must have been loved to bother with such repairs. my Yari looks like it has been through hell, with large (stable repaired now) cracks in the top below the bridge, a 2 inch stove in section on one sholder (that must have been pushed back out and a fillet was glued inside.)
a spot where it looks like it was shut in a car door and a gazilion scratches. in spite of all this i regularly get asked if it is for sale.
I will give you this guys email address
.....yairi_luvr@comcast.net....
this guy owns 40 odd Yairis and seems to be the self appointed world wide repository for Yairi knowledge. I found his address popping up on a number of dead end forum threads while looking for info about my SYairi 650 classical
It was some months back now and i cannot seem to find the site regarding thier build techniques thier stocks of 1970s tonewoods and the acoustic chamber(ill keep looking for a bit,.. this question deserves answering if i can)
Edit>>>bingo. i dont think this is what i saw previously but confirms the acoustic chamber thing
http://www.youtube.com/watch?v=ky56..ture=related
(what would we do without Utube???)
Also .here is a compilation of text stuff i amassed when researching Yairi family history is long winded and confusing. this is in no particular order and is confusing in its own right, but it might help clear up a few things about this extended family of brilliant luthiers..
Information on Sadao Yairi is scant and a number of Japanese Sadao Yairi collectors confirm that Sadao Yairi's guitar making history is shrouded in mystery especially after a 1990s statement by Kazuo Yairi, of Alvarez Yairi fame, that Kazuo and Sadao have no working relationship.
The consensus is that Sadao and Kazuo Yairi are cousins who learned guitar making from Kazuo Yairi‘s dad, also named Sadao Yairi. The older Sadao, had worked as a guitar and violin maker at the Suzuki, Takehuru factory in Nagoya and then later opened his own business, Yairi & Son, which operated until about 1970-71. Nagoya is the major industrial port city in Aichee prefecture and one of Japan's long established guitar making centers.
In the late 1960s Sada and Kazuo went their own way and began making guitars under their own label, with Sada establishing S. Yairi guitars in Nagoya and Kazuo Yairi starting up K. Yairi Guitars in Kani, which is about 30 minutes from Nagoya. Both Sadao and Kazuo made guitars for Alvarez/St. Louis Music Company in the early 1970s, but Kazuo ended up getting an exclusive contract with St. Louis Music. Kazuo's guitars sold by SLM were first known as Alvarez by Kazuo Yairi and then Alvarez Yairi guitars.
In the early 1970s, Sadao had a number of guitar ventures including Yairi Gakki and S Yairi Guitars (gakki is the Japanese word for guitar). S. Yairi made guitars for B&M in the UK and for Lowden in the USA. Sadao also made some Alvarez guitars for SLM in the early 1970s. He went bankrupt in the late 1980s. As a result of the bankruptcy, he went to South Korea in the early 1990s and worked for Samick guitars, developing a short-lived line of handmade guitars labeled 'Samick by S. Yairi'.
In the 1990s Kazuo Yairi published a statement that there was no working relationship between him and his cousin Sadao (probably because of the bankruptcy). I believe that Sadao Yairi passed away during the 1990s.
sada Yairi employed a very odd model numbering system, using the word clase to indicate the model number. This was the same numbering system used by Yairi & Sons guitars -- at least initially. In later years, however, S. Yairi's model numbering system became very complicated and confusing.
During the early 1970s, classe 900 was the top model, so your clase 700 guitar was 3rd from the top. All three of the top models -- the 700, 800, and 900-- had laminated rosewood back and sides. Clase 900 and some clase 800 & 700 guitars had ebony fingerboards. I have also seen these guitars with rosewood fingerboards. I think that the guitar models ending in 50 (750, 650,550) were crafted with mahogany back and sides.
Some people believe that S. Yairi classical guitars are finer guitars than comparable Kazuo Yairi guitars of the same period. My experience with these guitars is that they each have a distinctive sound and use different construction methods.
S. Yairi guitars are closer in style to Yairi & Son guitars than K. Yairi guitars. Guitars made by Yairi & Sons have a distinctive Japanese influence, while K. Yairi classical guitars are either based upon Torres bracing and construction or Ramirez - Madrid school guitars.
Some early S. Yairi classical guitars have dovetail neck blocks and do not use a Spanish slipper heel. They also have an odd interior flying buttress neck extension that I have only seen on Japanese guitars. Some early S. Yairi's also employ a one piece mahogany neck instead of crafting the neck with a laminated heel and a separate head. I think that the one piece neck increases sustain, but was very costly to produce.
Most consider Sada and Kazuo Yairi guitars to be of a much higher quality than guitars made by Hiroshi Yairi -- sold under the Wilson label. Hiroshi Yairi guitars are similar to Yairi and Son instruments and often have Sadao Yairi Sr.'s name on the label as supervisor.
Sada was made by sadao Yairi exclusively.
They are some of the best guitars ever made and equal that legendary status of the martin and taylor guitars. The stigma that applies to japanese post industrial revolution manufacturing, does not apply in the case of Yairi guitars due to the fact that the craftsmanship applications were carried through the japanese industrial revolution from the 1930's. At which time the processes were the most outstanding and unparrelelled artistic techniques in the world. There is absolutely no comparison between S.Yairi guitars and any other japanese post industrial revolution instrument.
>>>>I am a professional luthier and collector of (mostly) vintage Japanese high-end guitars. After searching for information for several years regarding the various Yairi names, I finally reached Yairi's North-American representative in Japan. He told me (in an email), with typical Japanese restraint, what he could reveal about the family--that Sada, a master luthier and primarily a violin maker, was Kuzao's father and teacher and that Sadao Yairi was a cousin who opened his own guitar business and produced them under several name variations before ultimately going out of business. I think they tried for a short while to include Sadao with them but apparently that didn't work out.
The rep's English was good but not great, so it left me having to interpret a bit from the content. I gathered that the 'S. Yairi' guitars are those of Sadao and the 'Sada' guitars are those of Sada Yairi. The 'Yairi & Son' guitars were produced when father and son were working together before Sada's death. There were a couple (rarely seen) other variations on the name that I can't remember at the moment, but I'm pretty sure about the three names I have detailed here.
I've owned several K. Yairi guitars, a couple of S. Yairi steel-stringed guitars, and one Sada steel-string. All were excellent, but the Sada was the best of the lot--wish I hadn't sold it in a weak moment. The K. Yairis are also delightful guitars--wonderful sounding, very well bullt and highly collectible.
To digress, several years ago I had to clean out some of my vintage guitars to make room for those I've made, and I offered our best friend his choice of all the guitars in my vintage collection--as a gift for a lifetime of great friendship and music that he's given to my family--and the world. He picked a '76(?) 12-string Kuzao Yairi--forget the model number. There were about 15 guitars to choose from, including two other old 12-string guitars (a rare, very-expensive Tama 12-string in minty condition, and a delightful 1954 Goya 12-string which was all solid woods, made in Sweden). He played them all for a few days and chose the K. Yairi. He's one mean finger picker, a professional who has been playing forever. He's so mad about the Yairi that he virtually abandoned his old Martin D-28 and has been finger-picking that Yairi 12-string relentlessly (and exclusively) ever since he got it, and it just sounds better and better the the longer he owns it. Says it's the best-sounding guitar he's ever played.
Edited by - tanglefingers on 12/13/2008 19:32:50
tanglefingers - Posted - 12/13/2008: 19:11:46
there.. my '76 ~78 Yairi.. these wouldnt fit in that last record breaking post
the definition of 'perfect pitch' is lobbing a banjo into a dumpster and hitting an accordian !
Edited by - tanglefingers on 12/13/2008 19:38:22
lazyarcher - Posted - 12/13/2008: 19:24:35
Why use just the skin and tails off a rattler? Why not put the whole snake in there?
It'd get rid of the mice, and might thin out a few fiddle players at the same time..
I should try this with mandolins...
Dave Jack
phischer - Posted - 12/14/2008: 13:58:54
I can't condone putting live snakes in fiddles to kill off owners however I am a strong advocate of doing this to mandolin pickers.
Regards,
Casey
'I got no fancy line to share, just this poor attempt at one!'
Sandy Rothman - Posted - 12/15/2008: 01:32:29
FWIW, I used to hear from oldtimers that the rattle was a natural dehumidifier..
Interesting to consider that external sound vibrations (coming from the outside, as from a speaker) could be effective in the way they are (from the inside) when an instrument is played.
'Gakki' is the Japanese word for musical instruments, not just guitars.
DENNISNDODIE - Posted - 12/15/2008: 04:14:59
The rattles could have been used as anti theft devices hey there is a darn snake in this mando.
Life is like a roll of Toilet paper the closer it gets to the end the faster it goes.
PICKINGIT - Posted - 12/15/2008: 06:45:26
quote:Originally posted by daz
Arthur can you be sure to direct Beverly's attention to the bottom of page 2 please
those sledgehammers don't look like Ed's to me, they look like they have had a fair bit of use
Daz
The earth can provide for all mans needs,
But not for all his greeds
Sorry..I forgot that Ed had taken..borrowed..Bev's tools. LOL
pickingit!
pipefitter61 - Posted - 12/15/2008: 07:13:22
Yep, I confiscated those from the Hatfield farm. Ina 10386 esd sensitive. Bev doesn't use a trap, or firearm to get her possum for dinner. She acts all nice to them till they get close, then..WHAM they get it with the sledgehammer. So Rodney the poster Possum on my avitar went into the witness protection program, and I made off with her hammers. She has made idle threats against the turtles I rescued from the highway, but so far they have managed to elude her.I think Arthur has them hidden in the shop somewhere. Shhhhhh, don't tell.
PICKINGIT - Posted - 12/15/2008: 07:38:30
quote:Originally posted by pipefitter61
Yep, I confiscated those from the Hatfield farm. Bev doesn't use a trap, or firearm to get her possum for dinner. She acts all nice to them till they get close, then..WHAM they get it with the sledgehammer. So Rodney the poster Possum on my avitar went into the witness protection program, and I made off with her hammers. She has made idle threats against the turtles I rescued from the highway, but so far they have managed to elude her.I think Arthur has them hidden in the shop somewhere. Shhhhhh, don't tell.
Your secret is safe here..
pickingit!
hawksbill - Posted - 12/19/2008: 15:27:24
You could just wait............
HAWKSBILL
hawksbill - Posted - 12/19/2008: 16:24:45
In all honesty guys/gals, I have been one to place guitars, mandolins, dobros, and such near live drummers (onstage performances) with the idea of introducing the 'DEEP VIBES' of tonality, and 'open' these critters up! Well, after 45 years of messin around with these things, I did find a TRUE method of increasing the depth, resonance, and power of most wood-based musical instruments..MASSAGE them! Yes, how do YOU feel when after a long, tiresome day playing your banjo, you walk in the door, and your lovin girl starts a rubbin your tired back?..well, don't you just start to ooing, and ahhin. and before you know it, your relaxed, and ready for another day (or night)? Well, your musical instrument is kinda like you! Listen, take your standard guitar..wood on braces, ..hard glue, stuck to the top of that spruce sound-wood. stiff, and the only exercise it gets is when you bang the yahoodle out of it, and like and old horse, you ride er and put er away!If you really LOVE your instrument, try this..Grasp the guitar in your big ole smelly hands, and start to rubbin the wood, front, back, all over, till the wood gets warmed up..then, after she's ready for a little more, SURPRIZE her! Take your hands, and put one on the back of the body, and one on the front, now, SLIGHTLY push your hands together, and start the 'massage'! What you are doing is, compressing the existing braces, and you are AGING the soundboard! Yes, by pushing the braces a bit farther than they have ever been with 'vibrations', you are actually making them 'flex' beyond the norm, and you are creating a molecular environment for 'memory flexation' that causes your guitar to sound louder, stronger, and deeper! You can even choose which side you want to improve! Bass or treble! Now, wasn't that easy?? Then, when you are done, place a rattlesnake rattle deep inside, to remind you of the 'good times' you and this girl have had, and since this is a very secretive method of tonal improvement, that you DON'T want to share with everyone, you can tell people that the rattles 'improve the sound'!! ALSO, if you will please wait till the next world war, you might end up with an instrument that has a 'Pre-war Pre-war' sound!!! This method also works on Mandolins, Violins, and backpackers....Banjos dont have a sound board..sorry.
HAWKSBILL
Shorty - Posted - 02/10/2009: 13:05:37
The Only Mirical to Make a Banjo Sound Pre-War is called MONEY to buy a real Pre-War Banjo
Jim Yarboro
skybolt - Posted - 02/11/2009: 07:08:28
Remember the deer pee??
Jerry
bearface - Posted - 02/22/2009: 21:28:06
that face on mars is a martian i saw it on the history channel and bigfoot was seen playing a prewar gibson last year
The Old Timer - Posted - 02/23/2009: 09:09:21
I have 'broken' in new Martin guitars by standing them in front of the stereo speakers and lettin' 'em shake over the first few months I owned them. I guess it didn't do any harm. How would you know anyway, unless you had an 'identical' new Martin that you don't stand by the speaker, as a 'control' in the experiment?
I know a mandolin player (ex-pro) who'll stop to cut the rattles off a rattler that has been run over in the road. Mandolin pickers and fiddlers really go for 'em!
However, you can play a banjo for years and if it isn't set up right, and especially all the hardware well tightened, ti won't really improve, I don't think. They have to be a tight 'unit' to break in well, at least as far as neck to pot, and the head set up. I won't enter the debate whether tone rings should fit tight or loose..
The Old Timer, still learning!
Banjo MD - Posted - 02/23/2009: 16:02:31
quote:Originally posted by gregchapman
A group of engineers created a device that stays in your instrument case that sends out a constant frequency that causes a new banjo's wood to age like a pre-war. This was based on all the research that has been done on what makes an old instrument deliver the tone it does. Anyone interested, let me know. My email is gregchapman41@hotmail.com.
This doesn't pass the 'smell test' for me!
Gitbar 1 2 – Remind You Of Uncommitted Repository List
Gitbar 1 2 – Remind You Of Uncommitted Repository Download
Williamjoban56 - Posted - 03/09/2009: 02:29:09
Charlie Derrington told me once, that Mr. Monroe had a set of rattles in his Loar.
'at's a good'n
BANJOBOB549 - Posted - 03/09/2009: 06:47:34
quote:Originally posted by ShortyJim is correct on the miracle way. I have installed pre-war rings in pre-war rims and got the pre-war sound. once you hear it, you will never forget the sound.
The Only Mirical to Make a Banjo Sound Pre-War is called MONEY to buy a real Pre-War Banjo
Jim Yarboro
Bob
Gitbar 1 2 – Remind You Of Uncommitted Repository Full
AndyM - Posted - 03/09/2009: 07:42:15
Gitbar 1 2 – Remind You Of Uncommitted Repository
A few years ago we had a jam going about 30 yards behind the firing line at the Quigley Match, Forsyth, Montana and a guy was sighting in a .50-120 Sharps Rifle. I heard and felt my banjo vibrate and didn't quite figure it out until he fired several shots and I knew right there and then after those blasts, my banjo had aged 50 years at least.
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